The Blair Witch Project (1999)

It's amazing that when movies like this come along that have no special effects, sex or violence and no budget, and differ from the Hollywood norm, they're proclaimed as masterpieces and if you don't think so you must be the sort of person who has to have special effects, loud bangs etc. to enjoy a movie. People have said that it's an innovative genre-redefining masterpiece, and that the documentary style of shooting (the actors filmed it themselves it seems) made it seem incredibly real. To me it seemed like a bunch of college amateurs messing about in a forest.
The Blair Witch Project was made on an incredibly small budget ($30,000 to make, then $70,000 on publicity) and it really shows. This movie has no special effects and no soundtrack. In fact you really have to wonder what the money was spent on.
Of course the most remarkable thing about TBWP is the marketing, and the incredible hype that has built up around it, especially here in the UK where there were several documentaries about it on TV before the movie was even released. The directors (Daniel Myrick and Eduardo Sánchez) deliberately tried to convince people that the story is real, and the official website is full of crap about the history of the Blair Witch etc. Apparently some people who went to see it early on before all the hype took off actually believed it was real and were angry when they found it wasn't. To me the fact that such stupid people exist in the world is far more scary than anything I saw in the movie.
The plot: Heather, an aspiring film director, wants to make a documentary about the 'Blair Witch', a creature which is rumoured to exist in the woods near a small town in Maryland. So she enlists two fellow clueless American types to accompany her into the woods, where needless to say they get very lost, commit heinous acts of stupidity, swear gratuitously and fight and bicker so annoyingly that frankly their deaths come as a blessing. Oh and they find some strange things on the way like piles of rocks and twig figures. I won't go into the ridiculous bits like why didn't they have a phone or how did the camera batteries keep going long after they ran out of all other supplies, because no movie makes sense if you analyse it a lot.
Exponents of TBWP say that what makes the movie so great is that you don't see the witch, and that you have to use your imagination, and "fill in the blanks". But when all you have on screen is three foul-mouthed idiots lost in a forest that's a bit of a tall order, and is really a case of not so much filling in the blanks as creating the whole film. And besides, if I have to use my imagination to conjure up the entire plot, why go to the cinema at all? Surely a walk through the woods alone at night would be just as good, and certainly cheaper. In this respect TBWP is very much like Cube, it takes an interesting if not totally original idea and then nothing much happens, and it's left to the audience to make their own interpretations.

The main thing wrong with TBWP (apart from the bizarre camera work that gave some people motion sickness) is that the characters are so stupid and boring that you just don't care what happens to them. Also the script is pretty poor. Much of it was ad-libbed by the actors, who I have to admit did do a fairly good job of appearing to be genuinely scared.
TBWP is not scary in the way that Scream is, but more like The Shining (although of course The Shining is vastly superior).
The ending was very good but frankly it had to be after suffering what seemed like hours of pointless bickering, swearing, crappy camera shots of grass, but understanding of the ending depends on your having paid close attention to the interviews at the beginning of the movie.
In my opinion, if you want to see a low budget documentary movie made by film students try Man Bites Dog instead, which is just brilliant.

It seems to me that you have to think it's real, or suspend disbelief, or use your imagination, or visit the website first, or have camped in the woods, or be in a certain mood to like TBWP. But a truly great movie should stand as such on its own, and TBWP is not a great movie, despite what some damn-fool critics are saying. It's merely a well marketed mildly interesting idea.

(no stars)

The Players:

Heather Donahue
Michael Williams
Joshua Leonard

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written by Ed in November 1999